My purpose with this work is to propose a reflection about how human beings interact with manufactured industrial materials and their natural environment. How it transforms the second, to create the first, and again terraform the second. This cycle, which seems destructive and unsustainable, has caused consequences that are difficult to repair in a multitude of biomes and ecosystems, on a global scale. We usually measure the relationship between man and nature in general terms, in effects that irremediably alter the environment. However, we do not usually pay so much attention to that same relationship brought to common, everyday spaces, and how absurd it is.
Cities, as well as towns, are increasingly grey. There is no presence of virgin nature; everything that appears is controlled. Nature is eliminated and then added again, only at will. With this work I intend to warn about how ridiculous the situation is. No one would think of covering a pot with cement or plaster and displaying it like that in their home, and yet this is what is happening in the municipalities. If the function of a pot is to respect the integrity of a plant so that it grows in an environment different from its own, my piece seeks to subvert it and critically adapt it to the use made of nature in public spaces.